Students running around the track at Cornell University’s Charles F. Berman field might not realize that about five stories down there’s another track sending atoms circling – a particle accelerator. It was shut down this week for massive upgrades.
No Boundaries: Aboriginal Australian Contemporary Abstract Painting is an exhibit showcasing the work of nine Aboriginal artists from the remote northwest region of Australia. The paintings incorporate sacred and ceremonial objects, traditional symbols and themes with a modern interpretation. The exhibit opened this week at the Herbert F. Johnson Museum at Cornell. Andy Weislogel is a curator at the Johnson Museum and he joined Crystal Sarakas to talk about the exhibition. The nine artists whose work is part of the exhibition are Paddy Bedford, Janangoo Butcher Cherel, Tommy Mitchell, Ngarra, Boxer Milner Tjampitjin, Warlimpirrnga Tjapaltjarri, Tjumpo Tjapanangka, Billy Joongoorra Thomas, and Prince of Wales (Midpul). The exhibition is on display through August 14 at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca.
A team of musicians under the direction of Cornell University professor Neal Zaslaw has created a performing edition of Agostino Agazzari’s 1606 pastoral opera ‘Eumelio’. The Cornell Early Music Lab is performing it on March 19 and 20 in the Klarman Hall Auditorium. http://wskg.org/audio/eumelio.mp3
“Eat food. Not too much. Mostly plants.” With that, food journalist Michael Pollan answers one of the most frequently asked questions of our time – what should we eat to be healthy? In the new PBS show In Defense of Food (check out our preview), Pollan takes us on a journey through the American food system, showing what and how we make up our diet.
The Cornell Symphony Orchestra presents the New York premiere of Kenneth Froelich newest work, his Symphony No.1 in a concert on Saturday, October 3 at 8pm in Bailey Hall on the Cornell campus. http://wskg.org/audio/froelich.mp3
Stage Director Judith Pratt talks about the Cornell Savoyards’ production of Gilbert & Sullivan’s Princess Ida. It’s both a satire on women’s education and the misogynistic views of it prevalent in the Victorian Era. The Savoyards have set this production in the era of the Robber Barons of the late 1800’s and, specifically, at Wells College. http://stream.publicbroadcasting.net/production/mp3/wskg/local-wskg-1040122.mp3
Composer Loren Loiacono talks about her new cello concerto on the program of the Cornell Chamber Orchestra’s concert this weekend. Composer Behzad Ranjbaran speaks with Crystal Sarakas about his work, Esther, to be premiered by the Binghamton Philharmonic. The Cider Mill Playhouse presents Sarah Ruhl’s Stage Kiss. We hear from director Emily Jackson.
n 2014, The Johnson Museum and Cornell Library’s Division of Rare and Manuscript Collectionsexamined the work of Swiss-Amercian surrealist artist Kurt Seligmann. Kurt Seligmann’s work is characterized by possesing imageries of medieval people engaged in macabre and santanical rituals. He was also an enthusiast and practitioner of magic himself, and was known for organizing ritualistics gatherings in his home in Paris, also frecuented by other famous artists of the era. The exhibition called “Surrelism and Magic” explored his passion and the passion that other surrealists shared for the occult; with over 125 objects in display the exhibition inluded photographs, video art, letters and ephemera, as well as rare books. https://www.youtube.com/watch?v=qXLbiX74ZSY
WSKG’s summer intern Lory Martinez interviews curator Andrew Wieslogel who explains the genesis of this fantastic exhibit.
The New York Gilbert & Sullivan Players bring their revue, A Little Twist, to Geneva. Bill Cowdery talks about romance and lawsuits in the early days of Cornell University set to music in the operetta Jennie’s Will. Binghamton University alumnus Marc Lawrence talks about his film The Rewrite, which has a screening at the Anderson Center this weekend, and about teaching Hugh Grant how to say “Binghamton.” https://youtu.be/WhEVfpHH9Vk